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“A ‘conceptual’ label gives me objective distance from the language. For example, I consider my silverpoint work ‘paintings,’ because they explore painting’s purchase on flatness and spatial illusion. Besides, it is much more difficult to be a conceptual artist. All really good painters are.”
“I see something, it captures my attention, and then my brain sees it rolling out in many different media, a sort of rhythm and movement pulsing back and forth among different applications…”
“Humor is part of (my art) but probably absurdity is more what I like. It doesn’t have to be ‘ha ha,’ but it can be strange or beautiful; and interesting processes that move between images and pure abstraction.”
“I am not really trying to tell stories at all. I know there are things that can cause you to read something into a painting, but I like people to see the process and see that as beautiful.”
“I really want to continue to think about making paintings where the picture itself is the subject as much or more than what is depicted.”
“When people look at a monochrome painting, they put in their minds what they are supposed to be; but I make pictures and they are not just abstractions but they are totally images… I believe all great paintings are also physical things as well as images.”